Mayu Saeki's fantastic new album "Hope" is now available, visit our store and get your copy! http://www.bjurecords.com/store/bjur-066-mayu-saeki-hope-cd
Sam Bardfeld's new album The Great Enthusiasms (BJUR 064) is out, featuring Bardfeld on violin as well as Kris Davis on piano and Michael Sarin on drums. The album features dynamic playing by the band and Bardfeld's compositions as well as remakes of Bruce Springsteen's Because The Night and Robbie Robertson's King Harvest (Has Surely Come). More info on Bardfeld's artist page.
On April 28th bassist and composer Anne Mette Iversen have two new albums available. 'Round Trip' with her long running New York quartet, but now in quintet format with the addition of the Swedish trombonist Peter Dahlgren; plus her group Ternion Quartet, with an album also named 'Ternion Quartet' which is the debut recording from her Berlin based group. Exciting music from both groups.
ROUND TRIP: Originally the meaning of ‘round trip’ was to return to the starting point via a different road. Anne Mette explains, “when I wrote the tune 'Round Trip’, it was about a deep and heartfelt wish I had to return to my two sons, who I had left in another country for a few days. As this album and this music came about, ‘round trip’ then became a key idea for the album. In the sense of coming home, it describes the feeling I have every time I play with this group. It refers to the many (round) trips we have taken together over the years, but also how much we have grown as a band, musicians and persons, and how we, no matter where each one of us is placed in the world, get together to make music and share our experiences. Even on a personal level I see the many round trips in our journey through life and music.” Round Trip is simply jazz on a high level, a feeling of unity and togetherness that can be otherwise hard to find.
The TERNION QUARTET plays music that is energetic and fun. Like fireworks; the music offers a tremendous display of colors and moods. Rooted in the tradition of jazz, swing and improvisation, the compositions give ample room for the virtuosic improvisers to express their creative personality; and with the experience, maturity and flexibility of the musicians the music can change direction on the fly and is constantly new, fresh and renewed again. Compositionally the music is based on a linear and horizontal concept, allowing the individual instruments' melodies to conduct the harmonic map, whenever that is desired. The aim is for the full emotional spectrum of being human to be expressed by these outstanding musicians and improvisers.
Michael Blanco's 'Spirit Forward' and Daniel Foose's 'of Water and Ghosts' were released October 7th, and both are getting great coverage and high praise from the press. Here is a link to a feature on 'of Water and Ghosts' on NPR.
'Finding Love In An Oligarchy On A Dying Planet' the excellent new album from Rob Garcia is released on Friday April 29th, 2016.
SAM SADIGURSKY DEBUTS NEW BAND AND ALBUM - FOLLOW THE STICK,
TO BE RELEASED ON
BROOKLYN JAZZ UNDERGROUND RECORDS
Available November 6, 2015 (North America), November 27 (Europe)
CD Release Celebration This Week!November 4
@ The Cornelia Street Cafe, NYC
Follow The Stick Features:
Sam Sadigursky (clarinet/bass clarinet)
Chris Dingman (vibes, marimba)
Bobby Avey (piano)
Jordan Perlson (drums, percussion)
Jason Palmer (trumpet on trks 2,5,9,13)
Ljova (viola, trk 7)
"Sadigursky reinvents the clarinet for the 21st century"
- London Jazz News
"Gracefully high-minded explorations of poetic form"
- Nate Chinen, The New York Times
"Entrancing...hypnotic...a musical world full of riches and you should partake in this feast"
- Richard Kamins, courant.com
- Jazz Magazine (France)
Sam Sadigursky, a first-call sideman and bandleader across a broad spectrum of music, and an award-winning composer (Chamber Music America, The Jerome Foundation), debuts a brand new band on his new recording, Follow The Stick, to be released on Brooklyn Jazz Underground Records on November 6, 2015. Follow The Stick is a sophisticated collection of original music from one of the most respected musicians on the New York scene. It is also Sam's "coming out party" as a clarinetist, which he has put front and center as of late. He explains, "It was a natural evolution in many ways, both practically and creatively. I started on saxophone, but began studying clarinet pretty early as well my father is a classically trained clarinetist and accordionist from the Soviet Union, who now plays mostly Klezmer and Eastern European folk music. I remember interviewing him for a 5th grade project and asking him what some of his dreams in life were, and he told me about wanting to learn to play jazz clarinet, something he's always loved. About four or five years ago something really clicked for me with the instrument and I've put most of my energies into it, and people have been calling me more and more for my clarinet playing since then. Unlike the endless sea of jazz saxophone players, there aren't that many improvisers today playing clarinet at a high level, so it's allowed me to really create a little niche for myself, and creatively, I feel there's so much more room to explore with it. I really feel that it's my voice as an instrumentalist."
This new recording follows up Sadigursky's five acclaimed The Words Project albums on New Amsterdam Records, where the music is based on text and poetry. With Follow The Stick we now have an opportunity to hear why Sadigursky is considered a "musician's musician", and so revered as a collaborator/sideman. "The Words Project material sort of allowed me to hide behind the singers. There's not that much stretching out on those albums, since I was always conscious of this larger compositional scheme, being faithful to the text and not allowing it to get overshadowed by the music," said Sadigursky. "We stretch on this one."
The music on Follow The Stick is comprised of new, and some not so new, original compositions, plus a modern take on the Glenn Miller hit, "String Of Pearls". Originally, Sadigursky planned on writing all new music for this group; things with a more overt sort of swing associated with this instrumentation (clarinet, trumpet, vibraphone, piano & drums), such as "Do The Dance", but, "when I started to fish through old notebooks for ideas I found so many nearly-completed old tunes of mine that never had life breathed into them. Having focused on those vocal albums for nearly ten years, there is still a huge backlog of instrumental material that I'm sifting through. However, I did write some new tunes for the group, things like 'Deadly Sins' and 'Math Music', and these might better reflect my thinking today - lots of meter changes and metric modulations - where many of the older tunes are more lead-sheet oriented and open," explained Sadigursky.
"Follow The Stick" is musician's slang for following a conductor, but it also applies to the clarinet, which has been subjected to a host of (mostly) derogatory nicknames, due primarily to its unforgiving nature as an instrument (i.e. the licorice stick, the agony stick, etc.). "The clarinet is such an unyielding instrument - the technical difficulty of it can be really controlling; as a player you often have to follow wherever it wants to go. There's just a lot more to trip over technically on it. Really though, I just liked the sound of those words, their directness and the sarcastic suggestion of dictatorship, which is of course so counter to musicmaking. Plus, I wanted this to be a real band, so I figured the first thing that any band needs is a name," said Sadigursky.
The Follow The Stick band began as a trio featuring Bobby Avey on piano and Jordan Perlson on drums, an instrumentation inspired by the great clarinet trios of the '40s led by Benny Goodman, which didn't have a bass player. "Bobby Avey is really the whole package he plays the whole piano with a real sound, has such a compositional sense, and he's an instigator, totally fearless, something I really value in the people I play with. His left hand is so developed that he fills the space left in the group by not having a bass player so naturally, without ever slipping into cliches," commented Sadigursky. "I heard Jordan on Bobby's records, and was really blown away. I had known him for years through his playing with Becca Stevens (who is on several of The Words Project albums), so I called him for one of the informal sessions with Bobby. What I didn't know was that Bobby and Jordan grew up playing together in Pennsylvania, so they go back a long time. It felt like a band to me from the first moment, and immediately after that session I remember taking them out to lunch and basically getting down on one knee and asking them to be part of something more ongoing. Jordan is so well versed in so much music he can play the hard stuff, but then is one of the best rock drummers I've ever heard. 'Math Music', the last tune on the album, is basically a big ol' feature for him, and he kills it."
After a few gigs with the trio, Sadigursky was looking for a bit more color for the group, a musician who could thicken the textures and also give the piano some support during solos, and support the melodic content as well. He elaborated, "I thought about which instrument I would like to try adding, and vibes came to mind first, since they have such a history alongside the clarinet - Benny Goodman/Lionel Hampton, Artie Shaw's Gramercy Five, Buddy DeFranco/Terry Gibbs, etc. I had never played with Chris Dingman before, but remember being really impressed by his first album, Waking Dreams. After doing a session with him I knew he was the guy. It takes a lot of sensitivity for a vibes player and a pianist to play well together, and it seemed to come so easily for Chris and Bobby. One of my favorite parts of the record is the extended intro they play to 'Heart' they sound like they've been playing together for years." Boston-based trumpeter Jason Palmer plays on five tracks. Sadigursky had a trumpet player in mind for some tracks, and was blown away by Palmer's playing on a European tour they did with Darcy James Argue's group. "It's rare that I hear a trumpet sound that I love, and Jason's gives me goosebumps every time I hear it," said Sadigursky. Ljova plays viola on just one track, "Looks Can Be Deceiving," an open sketch with no written melody, just a sequence of chords and a vague notion of how they should be played. "Although he's not a jazz improviser, his sense of melody is so great, and I love the sound of the viola, it has a very similar ruminative, dark quality to the clarinet. I love how they sound together."
"In addition to all the different folk traditions that the clarinet is part of, there's such a great tradition of jazz clarinet that I'm still in the midst of discovering. I'm amazed at how much of it goes unnoticed these days - these clarinet greats were so prodigious. However, having come up as a saxophonist listening to Coltrane, Rollins, Henderson, Lovano, etc., I have all these other sounds in my head as well - you play any of that stuff on the saxophone and most people have heard it a thousand times, but play those influences on the clarinet and it actually sounds pretty fresh. To me, at least."
More on Sam Sadigursky - Since moving to New York in 2002, Sadigursky continues to make his mark both as a leader and sideman. His series of albums of original music based on poetry and text entitled The Words Projecthave been acclaimed internationally. Noted music critic Steve Smith called them, "compelling and touchingly intimate...that rare anomaly: a jazz-and-poetry record that sounds utterly natural and convincing", and went on to name Sadigursky's debut album as one of Time Out New York's "Top Ten Albums of 2007". The New York Times has called them "gracefully high-minded explorations of poetic form." Sadigursky has toured and recorded as a saxophonist and clarinetist with artists such as Brad Mehldau, Lucia Pulido, Gabriel Kahane, Tom Jones, Edmar Castaneda, Linda Oh, The Mingus Orchestra, Jamie Baum Septet, Ljova, Pablo Mayor's Folklore Urbano, La Cumbiamba eNeYe, and has been nominated for two Grammy awards for his work with Darcy James Argue's Secret Society. As a composer, he has written for film and modern dance and has also published three books of original etudes for clarinet and saxophone. Sadigursky has appeared at some of the world's most prestigious venues and festivals, has performed for numerous Broadway shows, and appears on over twenty-five albums as a sideman.
Press Enquiries on Sam Sadigursky &
Brooklyn Jazz Underground Records:
Please Contact Jason Paul Harman Byrne at Red Cat Publicity
Email Redcatjazz@mac.com, Tel 646 259 2105www.redcatontheloose.blogspot.com
The Brooklyn Jazz Underground is an association of independent artists with a shared commitment to creativity and community. Through cooperative efforts, the BJU aims to build a greater awareness of original music emerging from Brooklyn, NY.
On the evenings of August 19th and 20th the Brooklyn Jazz Underground will present their annual festival at Smalls Jazz Club in Manhattan and ShapeShifter Lab in Brooklyn (respectively). The festival will feature groups led by BJU members as well the Brooklyn Jazz Underground Ensemble which is a collective group comprised of all 7 of the BJU members.
BROOKLYN JAZZ UNDERGROUND along with SMALLS JAZZ CLUB and SHAPESHIFTER LAB
THE BROOKLYN JAZZ UNDERGROUND 9th ANNUAL FESTIVAL
WEDNESDAY, August 19, 2015
7:30pm - 1:00am
SMALLS JAZZ CLUB
183 West 10th Street
New York, NY 10014
David Smith / David Cook Duo
Rob Garcia 4
Noah Preminger - tenor saxophone
David Cook - piano
Joe Martin - bass
Rob Garcia - drums
Tammy Scheffer Sextet
Tammy Scheffer- voice
John O'Gallagher- alto sax
Dan Pratt- tenor sax
Chris Ziemba- piano
Ronen Itzik - drums
David Cook Quintet
Ben Wendel - tenor saxophone
David Smith - trumpet
David Cook - piano
Matt Clohesy - bass
Ross Pederson - drums
Brooklyn Jazz Underground Ensemble
Tammy Scheffer - voice
Adam Kolker - tenor saxophone
David Smith - trumpet
David Cook - piano
Anne Mette Iversen - bass
Owen Howard - drums
Rob Garcia - drums
$20 at door for the entire evening
Anne Mette Iversen New Four
Adam Kolker - alto/tenor saxophone
Ryan Keberle - trombone
Anne Mette Iversen - bass
EJ Strickland - drums
The Relative Quartet
Chet Doxas - saxophone
John Stetch - piano
Michael Bates - bass
Owen Howard - drums
David Smith Quintet
David Smith - trumpet
Dan Pratt - saxophones
David Berkman - piano
Gary Wang - bass
EJ Strickland - drums
$15 at door for the entire evening
On August 28th, our two latest releases: David Smith's Impetus and David Cook's Scenic Design will be released in Europe. We are extremely happy that we also now have physical distribution for our music in Germany, Austria and Switzerland, and we are getting great press there as well.
Here is a first for us: Appearance in the German Vogue!!!
Our catalog is of course available world wide as always, and we have a great store here on our website if you can not find us in your local CD store.
2 new great releases are on their way. May 26th you will be able to buy David Smith's Impetus and David Cook's Scenic Design. Pre-order them in our store from May 12th!
The BJUR Team wish to thank all of our amazing artists and fans for a great 2014. We released eleven albums full of creative and original music, and are proud of every single one of them. Our latest releases from Tom Guarna, Nathan Parker Smith, Brooklyn Jazz Underground and Anne Mette Iversen were included on 'Best of 2014' lists in multiple publications, including Downbeat, The Village Voice, Victor Aaron's Something Else Reviews, All About Jazz, The New York City Jazz Record, and the Ottawa Citizen. We look forward to another year of great releases.
October 14th will be the day our fall releases arrive, and we have three exciting new records arriving. Nathan Parker Smith's new album Not Dark Yet (BJUR 048) features his raucous large ensemble that is blurring the lines between creative jazz, heavy metal and big band. Sketches is a collective quintet featuring some of New York's finest composers and improvisers, and Sketches Volume Two (BJUR 049) features compositions by the band members that are based on tune "sketches" by other members. Owen Howard follows up his acclaimed Drum Lore (BJUR 017) with Drum Lore Vol. 2 - More Lore (BJUR 050). More interesting takes on great tunes written by great drummers, as well as a few of Howard's own compositions played by his dynamic quintet. All records available for pre-order in our store, order your copy today!
With two new BJUR artists and the Brooklyn Jazz Underground sending out their 2nd collective album, this strong batch of new compositional jazz music is very exciting. Do go to the artists individual pages to read and listen. Rafal Sarnecki, BJU and Noah Garabedian.
And read the complete press release here
Our most recent releases are doing great. Please follow the artists on their websites, facebook and twitter for reviews and detailed news.
Next up, on August 26, are three more releases: "7x7" from Brooklyn Jazz Underground who is putting out their 2nd collective release. And two BJUR debuts: Rafal Sarnecki with "Cat's Dream" and Noah Garabedian "Big Butter And The Egg Men".
Anne Mette Iversen's new Double Life release, named SO MANY ROADS, is now available. It features her quartet with John Ellis, Danny Grissett and Otis Browm, the outstanding Swedish trombone player Peter Dahlgren, and the string quartet 4 Corners, with whom she also collaborated on the album Best of the West.